Cynical Cinema

First off, I want to say that Pineapple Express is the worst movie made by the combination of Judd Apatow and Seth Rogen.  That being said, it is still better than most other comedies in the world.  And just because it doesn’t live up to the promise of Superbad and 40 Year Old Virgin and Knocked Up, that doesn’t mean it isn’t worthwhile.  Because it is.  It is funny.  And it is good. 

Normally, I don’t much like stoner movies.  With the possible exception of Half Baked.  The problem I have with these movies is that they assume the people watching are in on the joke.  Like there’s some kind of giant stoner culture in the world where everyone listens to the same music, watches the same movies and TV shows, and knows all the same jokes.  They have the same vocabulary - reefer, bong, hydro, roach, so on and so forth.  And because I’m watching the movie, they assume I too am a part of this club.  And I’m not.  I don’t want to be a part of this club.  I don’t like this vocabulary.  I don’t like the word “Bogart” being thrown at me by some pothead as though it’s a secret word only him, me, and nine hundred thousand other useless potheads know.

Pineapple Express is different.  Seth Rogen stars as a weed-smoking process server.  His job is to dress up in different disguises in order to get close to people and serve them with legal papers.  James Franco stars as his weed dealer, a total burnout desperate for a friend.  After Rogen witnesses a murder, he and Franco are sent on a crazy flight all over the city, looking for some people and hiding from others.  Originally, the two characters were the opposite.  Franco was cast as the uptight process server and Rogen was to be the laid-back burnout dealer.  Which would have been ideal casting, one would think.  But somehow, along the way, the roles got switched.  And they decided to have Rogen play the guy with the job and the suit and the tie and the girlfriend, and pretty-boy James Franco became the dope smoking burnout.  And it works.  I can only assume it works even better than it would have the other way around.

Franco plays a character as far removed from Harry Osbourne in Spiderman as is possible.  And Rogen is fantastic, as usual.  The chemistry between the two is incredible, and the dialogue is great.  It appears to be dialogue that Rogen and Apatow can write in their sleep, but that is still better than anything this side of Kevin Smith.  The scene at the end, where Rogen, Franco and their dealer buddy Danny McBride are sitting around in a restaurant rehashing the events of the movie is absolutely hilarious.  And the opening scene, where Bill Hader is a test subject in a military experiment with marijuana is priceless. 

After that, the movie is haphazard, and there are moments that are hit-and-miss.  But the spirit of the film is endearing and fun.  The scenes where the two main characters try to do things they’ve seen in action movies, with real life results, are terrific.  Franco tries to kick the window out of a police car, but succeeds only in putting his foot through the windshield, where it gets stuck.  And the car chase ensues, with his foot hanging out of the window in front of him, and we all laugh.  Because it’s real and it’s funny.  And so is the rest of this movie.  Check out Pineapple Express.  You don’t have to be a stoner to like it.  Which is why it’s a good stoner movie.

“Recount” is an HBO movie that premiered on May 25th on HBO in the states and The Movie Network here in Canada.  Originally, Sydney Pollack was slated to direct the film, but pulled out at the last moment due to an undisclosed illness, which of course was cancer, the same cancer that caught up to him yesterday.  A sad coincidence as this fantastic movie premieres.  This is one of those major TV drama events where a made-for-TV movie actually gets hype and buzz and deserves it.  Well worth checking out.

HBO has just put the movie on TV, a dramatized version of the real events that led up to George Bush being fictitiously elected over Al Gore in 2000.  I recently saw Antonin Scalia, one of the American Supreme Court justices directly responsible for the handing of the election to Bush, saying in an interview “it was eight years ago.  Get over it.”  But America can’t get over it.  They still have that falsely-elected president, who is still screwing things up on a daily basis.  And not in a fun, keystone-cops kind of way.  Screwing things up in a malicious, Mr. Burns sort of way.  Scalia, by the way, is also the Supreme Court justice who believes torture is not an act in violation of the Eighth Amendment, the one dealing with “cruel and unusual punishment”.  His reasoning - although torture, such as waterboarding, IS cruel and unusual, it does not qualify as “punishment”.  You see, people who get tortured are not being punished for anything, since they have not been convicted of anything.  They may well be innocent.  And if they are innocent, then they are not being punished.  A prince of a man, Mr. Scalia.  But I digress.

Anyway, although the politics and questionable behaviour of Antonin Scalia are something about which I could rant for aeons, the man does not figure prominently in Recount.  Rather, the movie is about several other people.  Ron Klain (Kevin Spacey), Al Gore’s fired-then-rehired campaign advisor.  Warren Christopher (John Hurt), the secretary of state under Bill Clinton, who was sent by Gore to supervise the recount.  (Sidebar - Christopher, so far, is the only person portrayed in this film that has objected to his protrayal.  He has not seen it, but he read the transcripts and felt they made him sound way too naive.)  Katherine Harris (Laura Dern), the Florida Republican Secretary of State who exhibited terribly partisan and unethical behaviour during the 2000 election, doing everything she could to hand victory to Bush.  And James Baker (Tom Wilkinson), the Secretary of State under George Bush Sr., who was the chief legal advisor to Bush Jr. in 2000.

Each of those actors gives an examplary performance, especially Spacey, as an idealist who will fight to the end, and Dern as a woman in way over her head with a self-esteem problem and a taste for the spotlight.  Also terrific are Dennis Leary as Michael Whouley, and Ed Begley Jr. as David Boies.  Although we already know the end result of this film, (and for many of us politically interested folk, the entire process), this film still plays like a thriller.  Each moment is more and more tense, as you really get a sense of the machinations behind the scenes.  You get righteously indignant at the Republican troublemakers who tried to delay the re-counting of the votes.  You get furious at the groups who intentionally excluded more than 20,000 voters, most of them African-American, under the false pretext that they had been convicted of a felony.  You pull for the supreme court to render the right decision, and you can get right into it when something goes the right way for a change.  Even though you know for a fact that at the end of the movie the bad guys win and we get eight years of Chaney and Rumsfeld and Rove and Rice and that president guy.

 The only really irritating thing about the movie is the appearance of Bush and Gore themselves.  The two of them appear courtesy of archival footage, which is fine, but then they are shown, always from behind, and played by some stand-in actor.  That gives Recount, if only for those few brief moments, the feel of one of those lame, cheap, re-enactment scenes from a When Animals Attack show, or Unsolved Mysteries.  Aside from that, however, Recount is incredibly brisk, moves along very quickly, and is an absolutely thrilling political true story.  Tour-de-force performances all the way through, and a script that I’m sure just wrote itself.  Catch this one while you can, playing on The Movie Network right now.