Come Drink With Me. Another classic, out tomorrow. (*********9/10)
Monday, June 23rd, 2008Come Drink With Me is an absolute classic of the martial arts genre, filmed in 1965 and released on DVD tomorrow, June 24th, by Alliance Films. It stars Cheng Pei Pei, a legend of Chinese kung-fu films, who might be familiar to modern artists as Jade Fox from Crouching Tiger Hidden Dragon. Crouching Tiger, incidentally, is a film that owes a lot to Come Drink With Me, not just the involvement of Pei Pei, but also in tone and in the concept of the high-flying wire stunts that make up so much of the action. While it isn’t as visually incredible as Crouching Tiger (it WAS filmed in 1965), the costumes and set design were first-rate.
This really is one of the best kung-fu films ever made. Cheng Pei Pei is gorgeous, and incredibly skilled and convincing as a fighter, much like Zhang Ziyi today. She plays Golden Swallow, a martial arts expert and bodyguard for the royal family (who also happens to be the daughter of the king) who sets out on a mission to rescue her brother from the clutches of a group of bandits led by an evil kung-fu abbot. Along the way, she finds help from a local drunken beggar named Fan Da-Pei (or, Drunk Cat). His character is one that would become a staple of the Hong Kong martial arts movie industry - the old drunk who’s always singing and sloppy and messy and gross, but is secretly the leader of a lost clan of martial artists, and a ridiculously proficient fighter when push comes to shove. I think it likely that in the Hong Kong of the 1970s and 80s, it was quite likely that people left the drunks in the bars alone, for fear that hassling them might provoke a lethal barrage of kung-fu kicks and punches. And the drunks are always the good guys.
As the movie progresses, it relies on an impressive series of wire-aided fight scenes between Golden Swallow and the bandits, culminating with her showdown with the bandit leader Whiteface, while the drunken master takes on the evil abbot who is also his brother. Throughout, the film is part comedy, part musical, part drama, part romance, and all action. The story is very straightforward, while underlying themes run through the narrative. The major one, of course, is female empowerment. But it also touches on the idea of corruption through religion. This film is widely considered, in Asia, to be one of the best Hong Kong movies of all time, and it made a star out of Cheng Pei Pei and her drunken co-star, Yueh Hua. Their stars would continue to shine brightly in Hong Kong for years to come, and this film is as good today as it was when it was released.