Fearless: Director’s Cut. This movie just got lots better. Out Tuesday. (********8/10)
Fearless is directed by Ronny Yu, a man who has directed several Asian martial arts classics, but who has recently become corrupted by Hollywood. He is the man behind Freddy vs. Jason and Bride of Chucky, two of the better entries in otherwise terrible movie franchises. Fearless is said to be the last martial arts picture Jet Li will ever make, and this is a shame. Fearless succeeds only because Jet Li is fantastic. Not only is he a great fighter, but he is also the right type of actor for the role. He plays real-life martial arts legend Huo Yuanjia, the man who created the Chin Woo martial arts school in Shanghai at the turn of the century. Yuanjia became a hero in China when he fought a series of highly publicized fights against foreign fighters.
When I first watched Fearless, I thought this was the weakest in Jet Li’s impressive “wushu” kung-fu movie resume. It was good, and the fights were the best part of the film, and handled brilliantly, and the filming made Fearless a visual treat. Unfortunately, the film didn’t really get interesting until the very end. Now, however, Alliance Films is releasing Fearless: The Director’s Cut on July 8th, and it has all of a sudden become much, much better. 35 minutes of additional footage has been added, which fills out the story to such a degree that the entire movie is transformed. We are now far more invested in the character, seeing his transformation in greater detail.
Yuanjia is the child of a great wushu master, who is the champion of their village of Tianjin. His father forbids him from practicing kung-fu, so he must train in secret, with the help of his best friend Nong (Dong Yong). When he sees his father lose a match because he wouldn’t destroy his opponent, young Yuanjia vows to do everything he can to glorify the honour of his family, and vows never to lose a fight in his life. And he doesn’t. As he grows into an adult, fighting in these wushu competitions has become an obsession for him. Nong tries to warn him about the dangers, and begs him to relax and back off, but Yuanjua won’t listen. When a reckless fight leads to tragedy all around, Yuanjia is ashamed, and goes into self-imposed exile, and almost dies. He is found in the country and nursed back to health by a kind family with a lovely blind daughter. He learns a lot about life through this little country village, and learns even more about wushu and about himself.
Now on the right path, and fully understanding the potential of wushu to unify rather than to divide, he returns to civilization with the goal of establishing a school of martial arts. By this time, China has been taken over by Western influence, and the need for national unity is enormous. Yuanjia is determined to do what he can to help provide this national unity, and agrees to fight a series of highly publicized fights against Western fighters in order to defend Chinese honour. He is no longer out to promote himself, or his family name, he is now using wushu to defend and promote all of China.
The new edition of Fearless comes in a two-disc set. The second DVD is the exact same disc that was released in 2006, the “unrated” edition, with the unrated version, the theatrical version, and a featurette called “A Fearless Journey”. The only thing that is new here is the first disc, the actual director’s cut. And that makes it completely worthwhile. The director’s cut transforms Fearless from merely being a decent entry into the kung-fu movie canon, into being a wonderful, heartfelt historical document that really resonates. Whether you’ve seen Fearless before or not, now is the time to pick it up on DVD.
July 6th, 2008 at 11:30 pm
if the director’s cut is as good as you say, it really makes me wonder why things are so “inverted”–of course, theatrical releases have to follow more rules and appeal, in some sense, to the lowest common denominator. I don’t mind hunting director’s cuts, but sometimes i wish they’d save me some hassle and just release the better film first, in the theaters, where its most accessible to me and other people. ok done whining.
July 7th, 2008 at 1:25 am
I completely agree. Every now and then, you find something like this where the difference is huge. The thing is - more often than not, the director’s cut is irrelevant. Just some kind of vanity thing for the director, whether he’s any good or not. (Check out my review of the director’s cut of “Alone In The Dark”.) Even “Apocalypse Now” was no better when the “full” version was released. But with films like “Fearless”, the problem is that they are edited for time, not content. The movie comes overseas to North America, and the studio says “people don’t watch movies that are more than 105 minutes” and they make sure that they have a movie that’s less than two hours. All they have to do is cut out enough stuff while still making sure it makes sense. Asian films that make it to theatres here in Canada and the States are the ones where you should look for director’s cuts most often.
July 7th, 2008 at 1:27 am
Not only that - I didn’t mention this in the review, but Michelle Yeoh, one of the few Asian actresses North American audiences might recognize, actually shows up in this version for about three minutes at the very beginning. Why cut that three minutes? Put it in the trailers so thirty extra people will be deceived into attending your film!